I just picked up Natalie Goldberg’s Writing Down The Bones and was struck by the four essentials that she quotes from Jack Kerouac’s ‘Essentials for Prose,’:
1. Accept loss forever
2. Be submissive to everything, open, listening
3. No fear or shame in the dignity of your experience, language, and knowledge
4. Be in love with your life
And of these the first and fourth run deepest, not just for writing but for life: Accept loss forever. Hitting the hard, flinty truth of what’s necessary to keep focused on today and tomorrow, and leaving yesterday behind. And perhaps a necessary condition for number 4.
There are others, including ‘Struggle to sketch the flow that already exists intact in the mind’ and ‘Keep track of every day, the date emblazoned in yr morning.’ But I also like:
Like Proust, be an old teahead of time.
And coincidentally… in my inbox the latest from Jamie Jauncey’s excellent blog at A Few Kind Words – I love that title. This week he is talking about writing, mentioning in passing Stephen King whose ‘On Writing’ I have also just been reading, and sets out the ‘Flowers Paradigm’ of Betty Sue Flowers (who is emeritus professor of English at the University of Texas at Austin, amongst much else):
Every writer brings four people to the writing table: a madman, an architect, a carpenter and a judge. The madman is the unfettered creative genius, the source of raw energy and ideas. The architect is the visionary and planner who gives shape to the building born of the madman’s ideas. The carpenter hammers away bringing form to the architect’s plans. The judge waits till everyone else has finished, then goes round with a magnifying glass shaking his or her head. The trick for the writer, of course, is to understand that he or she needs them all at different stages of the process.
Written largely in a single burst of creative energy in April 1951, few books match On The Road for sheer exhilaration – the exhilaration of being alive, of being on the journey. I remember the first time I read it and how I was completely enthralled, intoxicated even, devouring page after page late into the night until I reached the end. Then starting all over again.
The extraordinary energy of the prose, poured out onto a single 120-foot roll of tracing paper sheets that he cut to size and taped together, retains its power, even if some of the attitudes have dated. The book’s essential wild mix of of hedonism and asceticism is still thrilling: Accept loss forever. Be submissive to everything, open, listening. Be in love with your life.
Two versions of the book are now available, before and after the interventions of the judge: The (standard) text as first published by Viking in 1957, which is the first draft revised and edited by Kerouac and incorporating changes demanded by the publisher, and the first draft itself (the madman unfettered), published as On the Road: The Original Scroll.
Here’s the full list of Kerouac’s essentials. As you can see, not necessarily just for prose, but also for life. Or the other way round.
1. Scribbled secret notebooks, and wild typewritten pages, for yr own joy
2. Submissive to everything, open, listening
3. Try never get drunk outside yr own house
4. Be in love with yr life
5. Something that you feel will find its own form
6. Be crazy dumbsaint of the mind
7. Blow as deep as you want to blow
8. Write what you want bottomless from bottom of the mind
9. The unspeakable visions of the individual
10. No time for poetry but exactly what is
11. Visionary tics shivering in the chest
12. In tranced fixation dreaming upon object before you
13. Remove literary, grammatical and syntactical inhibition
14. Like Proust be an old teahead of time
15. Telling the true story of the world in interior monolog
16. The jewel center of interest is the eye within the eye
17. Write in recollection and amazement for yourself
18. Work from pithy middle eye out, swimming in language sea
19. Accept loss forever
20. Believe in the holy contour of life
21. Struggle to sketch the flow that already exists intact in mind
22. Dont think of words when you stop but to see picture better
23. Keep track of every day the date emblazoned in yr morning
24. No fear or shame in the dignity of yr experience, language & knowledge
25. Write for the world to read and see yr exact pictures of it
26. Bookmovie is the movie in words, the visual American form
27. In praise of Character in the Bleak inhuman Loneliness
28. Composing wild, undisciplined, pure, coming in from under, crazier the better
29. You’re a Genius all the time
30. Writer-Director of Earthly movies Sponsored & Angeled in Heaven
2 replies on “Jack Kerouac’s essentials for prose”
OMG – the bizarre synchronicity of a keyring!! That is weird! Happy Christmas. H x
Indeed. Happy New Year – and many thanks! Keyring installed – though I don’t think JK would approve of Fiat 500